Fountain Pen Inks Review: Robert Oster Signature Ink Get.Set.Go

Have you been to Australia? Did you know Australia is the world's only continent covered by a single country? Yes, it is, and Australia is a country filled with extraordinary landscapes and natural wonders -- beaches, deserts, and tropical rainforests; unique wildlife; and a rich biodiversity. But no, I haven't been to Australia. My friend Robert Oster, however, lives there and he makes wonderful and lovely fountain pen inks that show the beautiful colors of Australia's scenery and culture. Robert Oster Signature inks come from one of the most famous wine-producing regions of the world, the Coonawarra district of South Australia.

Robert Oster Signature fountain pen inks are available in a wide selection of stunning, vibrant, and astonishing colors. Each color is unique, inspired by Australia's palette of natural beauty. They are non-toxic and eco-friendly, 100% made in Australia, and presented in 50ml recyclable PET bottles with travel-proof caps labeled by Robert Oster himself.

Aside from their amazing variety of colors, Robert Oster Signature fountain pen inks are also well-behaved, paper-friendly, and very easy to use. They have excellent flow and lubrication and pens filled with these inks write well without any hard starts, skips, or dryness. These inks also have good drying times—they dry fast!

In late 2018, Robert Oster launched a seven-color ink set that he says describes the colors around him, the colors he sees in birds, flowers, leaves, and even the bark of Australian trees. He called the set Get.Set.Go and it has the following vibrant and stunning fountain pen ink colors, namely, Dragon's Night, True Blue, Crocodile Green, Burned Orange, Deep Purple, Red Candy, and Hot Pink.

Dragon's Night

Robert said that Dragon's Night reminds him of "something that keeps me awake as I ponder the dark midnight Aussie sky." Dragon's Night is a vibrant dark blue ink with hints of purple. It has medium shading and a lovely red sheen seen when the ink is used in wide nibs such as broad, stub, or italic. Dragon's Night is a wet ink, has an excellent flow, and not highly saturated. My test pen with a .7 stub nib wrote wet and smooth.

Dragon's Night is a perfect ink for daily notetaking, journaling, signing legal documents, calligraphy, illustrations, or art. Although it is made for fountain pens, it could also be used for brush and dip pens. This ink did so well in 90gsm paper from Canson, no feathering, and certainly no bleeding. It's a well-behaved ink, doesn't stain or clog pens, and dries on paper after ~20 seconds.

True Blue™

True Blue™ is "Aussie slang for BFF, for keeping it real, and for a host of positive emotions." Oh, I didn't know that! True Blue™ ink is a light blue ink that is close to turquoise. It has minimum shading and a lovely pinkish to a red sheen that shows towards the edges of where the ink has pooled. This sheen is very visible when the ink is used in wide nibs such as broad, stub, or italic. Like Dragon's Night and most Rober Oster inks, True Blue™ has no issues with its flow and lubrication. It has an excellent flow, and my test pen wrote very smoothly.

While I may not use a light blue ink for business and legal documents, I will still use True Blue™ for my daily notes, journaling, calligraphy, illustrations, and art. Again, this ink was manufactured for fountain pens, but it could also be used for brush and dip pens. This ink did so well in 90gsm paper from Canson, and I did not see any feathering or bleeding. It's another well-behaved Robert Oster ink and doesn't stain or clog pens. It dries on paper after ~20 seconds.

Crocodile Green

Robert said Crocodile Green is something "seen in the waters of our rugged Northern Territory. Take care up there!" I am assuming that the thing Robert saw in the waters are crocodiles and they inspired the color of this ink. I am not too fond of green inks, but this dark seaweed-like green shading ink with orange to red sheen is my favorite in this set. Crocodile Green looks so good in my Pelikan M400 White Tortoise and its B nib shows both shading and sheen at the same time. Crocodile Green has excellent flow and lubrication, and my test pen wrote very smoothly.

I could use this dark green ink for any writing purposes — daily notes, journaling, calligraphy, illustrations, and sketches. I could sign documents with this ink, or even make art! This ink performed well in 90gsm paper from Canson, and there is no feathering or bleeding. Despite its dark color, Crocodile Green is another well-behaved Robert Oster ink that doesn't stain or clog pens. It dries on paper after 15-20 seconds.

Burned Orange

Burned Orange, according to Robert is "the South Australian Riverland sand under my bare feet when I was six years old." Burned Orange is a dark, rich orange ink that reminds one of the fall and dried leaves. It has medium shading and a golden to dark brown sheen seen in my swatches where the ink has pooled and dried. Burned Orange is a wet ink, has an excellent flow, and not highly saturated. My test pen with a .7 stub nib wrote wet and smooth.

Burned Orange is a dark orange ink that could easily be mistaken as brown in some paper types such as Rhodia. This ink doesn't have that much shading, but it could be used for daily notetaking, journaling, calligraphy, illustrations, or art. It could also be used for brush and dip pens. I tested this ink in 90gsm paper from Canson, and there were no feathering or bleeding. It's a well-behaved ink, doesn't stain or clog pens, and dries on paper after about 15-20 seconds.

Deep Purple

Robert said that Deep Purple reminds him of "Aussie Tree bark after the rain." Deep Purple is a dark and very saturated purple ink. It looks almost black when wet and dries off a very dark purple. It has no shading or sheen. Despite its saturation, Deep Purple has a good flow, and my test pen with a .7 stub nib wrote wet and smooth.

Deep Purple is a nice dark purple ink. I know I can use it for my daily note-taking, journaling, calligraphy, illustrations, or art. It could also be used for brush and dip pens. This ink showed some feathering and bleeding in my ink tests probably because of its high saturation. Despite its dark color, this ink doesn't stain or clog pens, but it dries longer at 25-30 seconds.

Red Candy

Red Candy seems to evoke happy memories as Robert said it reminds him of "sometimes candy apples at country fairs... maybe red candy cane twined around white sugar sticks in December." I only have a few red inks, and I use them mostly for writing important notes, or when I need to write my edits on paper. Red Candy comes as a dark true red with no shading but has a strong gold to brown sheen, making it look more stunning. The sheen on this ink is seen when it is used in wide nibs such as broad, stub, or italic. Red Candy is a wet ink, has an excellent flow, and not highly saturated. My test pen with a .7 stub nib wrote wet and smooth.

Red Candy may not be suitable for business and legal documents, but it's a happy bright ink for daily notetaking, journaling, calligraphy, illustrations, or art. This ink is made for fountain pens and could also be used for brush and dip pens. Red Candy did well in 90gsm paper from Canson, without feathering and bleeding. It's a well-behaved ink and unlike other red ink, it doesn't stain or clog pens. Red Candy dries on paper after 15-20 seconds.

Hot Pink

Hot Pink appears to be a very personal ink color to Robert because it is "seared in my memory... It is the color of my mother's wedding dress in December 1969." Hot Pink is a dark pink ink, almost like magenta. It has medium shading and minimum sheen around the edges of the ink swatch. Sheen is seen when the ink is used in wide nibs such as broad, stub, or italic. Hot Pink is a wet ink, has an excellent flow, and not highly saturated. My test pen with a .7 stub nib wrote wet and smooth.

Similar to red, pink ink may not be suitable for business or legal documents, but I will definitely use it for my daily notes, journaling, calligraphy, and art. This fountain pen ink could also be used for brush and dip pens. Like the six inks in this set, Hot Pink did so well in 90gsm paper from Canson and I did not see any feathering or bleeding. It's a well-behaved ink and doesn't stain or clog pens. It dries on paper after 15-20 seconds.

Robert Oster Signature inks are available in more than a hundred vibrant, stunning, and unique colors. They are well-behaved inks, very safe to use, and sold in more than 60 stores (physical and online) all over the world. Choose one — or more — for your pens today! Here's Robert Oster Signature's Ink Swatchbrowser to guide you!

For more information on Robert Oster Signature and Shake'N'Shimmy inks, visit their website. A list of Robert Oster's retail partners all over the world is also available on their website.

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Note: The inks in this review were provided by an online seller. The photos and reviews, however, are my own.

Review: J. Herbin Scented Inks

A few months ago, I received a small box from Karen Doherty, Exaclair USA's Vice President for Marketing. Inside the box was a large Rhodia dotPad and a set of J. Herbin's Les Subtiles (The Subtle) inks. I wasn't aware then that those were scented inks and just stowed them away in my ink cabinet. When I rediscovered the set a few weeks ago, and realized that I have five bottles of scented ink, I knew that I had to write a review about them.

The J. Herbin website says that these scented inks are made from hydrosols (floral water) of rose, orange, lavender, apple, and violets. The hydrosols are from Grasse, France, a Provencal town long associated with the perfume industry and famous for its floral scents. These inks are safe for fountain pens as they are naturally scented and do not contain pigments.

The set has five inks with different scents and colors. Green apple for Vert/Verte (green), lavender for Bleue (blue), rose for Rouge (red), orange for Ambre (orange/brown), and violet for Violette (purple). The inks are presented in clear 10ml bottles with shiny, silver metal caps. These are also available in individual 30ml semi-frosted bottles.

The J. Herbin Les Subtiles sampler set, clockwise from top: Vert/Verte, Bleue, Rouge, Ambre, and Violette.

Vert/Verte. The green ink in this set is scented green apple, but smells sweet like green apple Jelly Belly candies. It has a vibrant green color which is very similar to J. Herbin's Vert Pré — a happy, refreshing green that is not too yellow, or too blue. In a wide and wet nib, it is a serious dark green, but changes into bright, highlighter green in a fine nib. I don't have many green inks, and I like this one, I will definitely include this in my rotation.

Bleue. An ink set is never complete without a blue, right? This set's blue ink is advertised to be lavender-scented, but I think its scent is a bit strong and quite pungent. When dry, this ink looks somewhat similar to J. Herbin's Bleu Myosotis, a light, grayish blue with hints of purple. I like this blue ink, but the strong scent put me off when I wrote using it. I know I will use it later, but to keep my pens from its strong scent, I will probably use it with my glass dip pen only.

Rouge. The red ink in this set is rose-scented and my favorite among the five for its scent and color. This red ink has a classic rose scent that reminds me so much of my late grandmother's perfume which she used to spray on me, when as a skinny seven-year old, I joined other girls during Flores de Mayo and offered flowers to the Virgin Mary. Whenever I smell this ink, I am taken back to those hot and humid days of May years ago. This ink's scent is not the only reason why it is my favorite. I am partial to red inks and this one became an instant favorite. It looks so much like J. Herbin's Rouge Opera, with the same deep and intense red that I fell in love with a couple of years back. I will definitely keep and use this ink.

Ambre. Next to Rouge, Ambre is also my favorite in terms of color, but I do not like its scent. Ambre is the orange/brown ink in this set and is orange-scented, but like the lavender-scented Bleue, I found the scent a bit strong and overpowering. The color is almost exactly like the brownish-yellow J. Herbin Ambre de Birmanie. This ink also shades well, and probably the only ink in this set to shade as beautifully. 

Violette. This is the purple ink in this set and has the next best scent after the rose-scented Rouge. Scented like violet flowers, this ink has a very pleasant and delicate scent. The color, though, is very bring for me. It still looks lighter than most purple inks in the J. Herbin line, and I will definitely keep and use this ink next to my other purples.

All the five inks in this set wrote well when I tested them. They didn't have any flow or drying issues and all colors looked bright, vibrant, and happy in the 90g Clairefontaine GraF it sketch paper. Among the five inks, only Violette had minor feathering, while the rest behaved well. At first I worried that the scents will bother me, as I am sensitive to scents and perfumes. Surprisingly, they did not bother me at all as their scents are strong only while inside their respective bottles. As soon as they dry out on paper, their scents do not linger anymore.

I love these scented inks from J. Herbin, and I will use them to write to my friends and in my diary. I only wish that the 10ml bottles in the sampler pack had labels in them to indicate their colors (and scents?) and had plastic caps that are easier to twist than the thin metal ones used on them.

Aside from the Les Subtiles set, J. Herbin inks have other ink colors, including a set of their regular 30 ink colors. These water-based inks are non-toxic, have neutral pH and manufactured using natural dyes. A printable PDF of J. Herbin fountain pen ink swatches are available for download here.

The sample set of Les Subtiles ink reviewed here is courtesy of Exaclair, Inc. through Karen Doherty, and also the Clairefontaine GraF it Sketch pad.

Notebook Review: Banditapple Carnet

I first read about Banditapple Carnet notebooks in June when my friend Julie wrote a review in her blog. Out of curiosity, I sent an email to Banditapple's creator and owner, Arnie Kim, to ask for sample products to review on the blog. Three months of waiting and chasing the guys at our Post Office, I received the lovely notebooks that Arnie sent to me. 

Banditapple Carnet notebooks are sold by its creator and owner, Arnie Kim from Seoul, South Korea, though they are all hand-made in Vietnam. Arnie said that his notebooks are now available in stationery stores not only in South Korea, but also in selected stores in Japan.

The notebooks come in three sizes (Peewee, Handy, and Tablet) and two cover colors (Hanoi Red and Saigon Black). All Banditapple Carnet notebook sizes are available in either blank or ruled paper with 64 pages of acid-free, 80gsm off-white paperstock. The cover used on the notebooks is plain cardstock which makes them look very simple, and almost anonymous and unbranded. But I like that. I'm also glad that Arnie sent me samples of all available notebook sizes and covers, and that he sent me notebooks with both blank and ruled pages.

Peewee in Saigon Black cover with my first generation pink Lamy Safari.

Peewee is the smallest among the three available notebook sizes of Banditapple Carnet. It measures 3.5 x 5.5 inches, sized like a pocket Clairefontaine notebook, Venzi, or Field Notes. The photo below shows the Peewee on top, and all the notebooks I mentioned underneath it. All notebooks have the same dimensions, they just differ in either their binding (stapled or stitched) or corner cuts. Since I received the Banditapple Carnet notebooks, I've made the Peewee my 'ink diary'. It's the perfect thin, small, black notebook I can carry with me anywhere because it fits in the plastic zipper pocket of my Midori TN. When I need to see how a certain ink behaves in a particular pen, I just pull out my Peewee.

Handy in Saigon Black cover with my yellow Lamy Safari.

Handy, the 'middle' size, measures 4.25 x 8.25 inches. This notebook made me very happy as soon as I saw it. Why? Because it's the same size as my Midori Traveler's Notebook's refills! And what's better, the Banditapple Handy have round page corners.

Banditapple Handy in Hanoi Red cover on top, Midori Traveler's Notebook refill below.

See? Banditapple's Handy fits my Midori TN perfectly!

Tablet in Hanoi Red cover, with my LE orange Lamy Safari.

Tablet, the biggest Banditapple notebook, measures 5.125 x 8.25 inches. It is sized like a large Moleskine or Rhodia Webbie, or as shown below, a soft cover large Venzi notebook. I got a blank Banditapple Tablet, and I may just turn it into a sketch/doodle/calligraphy notebook later.

Banditapple Tablet in Hanoi Red cover on top, soft cover Venzi below.

The other wonderful feature of Banditapple Carnet notebooks is their binding — the pages are stitched — not stapled, not glued, but stitched. A single signature is stitched to the cover, and the notebooks' stitching match the color of their covers.

Neat stitching on spine...

...and on the notebook's pages.

And now, the best part about these wonderful notebooks: the paper. Banditapple uses 80gsm off-white (read: not-so-white), acid-free paper. Dr. Matthias Meckel, blogger at Bleistift, wrote that Arnie spent more than two years to find the right paper for his notebooks. And his efforts paid off. Banditapple Carnet notebooks have one of the best papers I've ever tried with my fountain pens.

Banditapple uses a .25 inch page ruling; top margin of .75 inch, and bottom margin of .625 inch. Ruling has been printed using soy type ink.

The pages have no side margins, though. The ruling extends to the edges of the page spread.

And I saved the best for last: the pen and ink tests on Banditapple's Handy notebook. Because the Handy is a tall notebook, I was able to test a couple of pens on a page, including fountain pens, a rollerball, gelpens, and a permanent marker. I like using different pen types to test a notebook's paper because it shows me instantly how the pens and inks react to it.

Banditapple uses paper that is not smooth and shiny white. But it is very excellent for fountain pen use, especially to very broad and wet nibs such as those on my Esterbrook pens. The Esterbrook LJ and Trans J pens below both have 9968 (firm broad) nibs and I did not see any feathering or bleed at all. Even the badly notorious bleeder called Noodler's Midnight Blue behaved so well on this paper. I also noticed that some ink types even showed better color in Banditapple's paper, like Edelstein Jade and J. Herbin Bleu Myosotis. Drying takes a longer time compared to other paper types, but that is just fine.

All in a page: 21 fountain pens, 1 rollerball, 9 gelpens, 1 permanent marker.

Banditapple paper up close. Ink is  J. Herbin Café des îles. I love the pure, cottony goodness of paper on a close shot like this. And even at a very close view, I just don't see the ink feathering on paper.

This is how the back of the pen and ink test page looks like. Not one of the 21 fountain pens bled or feathered, but the Sharpie permanent marker just had to bleed very badly. But that's how Sharpie behaves on almost all of the paper types I have ever tested.

Lastly, here is the Peewee notebook that I have made into an 'ink diary'. Very cool. I like keeping an 'ink diary' because it's a way of keeping an informal inventory of my inks and pens. And I am very strict with myself that whenever I fill a pen, I have to write down the date, ink type, and pen used so I have an ink/pen reference.

If you need more information about these wonderful notebooks, Arnie Kim's contact details are on his site, http://www.banditapple.com/. Or you can email him using this email address: owner@banditapple.com if you want to discuss notebook orders. You can place orders for his notebooks in bulk and he will gladly give you a good price and a choice of whether to ship by air (faster), or water/surface (slower by 2 weeks, but then, the package gets to you). This is the best way of ordering from Arnie at the moment.

I am not affiliated with Banditapple Company, I am just a very satisfied owner of these wonderful and amazing notebooks.

The Banditapple Carnet notebooks used in this review are from the Banditapple Company through its creator and owner, Arnie Kim. The other notebooks, pens and inks used in this review all belong to my personal collection.

Ink Review: Diamine Orange

When you squeeze an orange, orange juice comes out ~ because that's what's inside.

-  Dr. Wayne D. Dyer

(Internationally renowned author and speaker in the field of self-development.)

The past several weeks have been gloomy and dreary from where I am. A number of typhoons and tropical depressions have continuously dumped enormous amounts of water on most parts of the country; for days, dark rain clouds shadowed us in. But as I stayed indoors, I took out my box of inks and found Diamine Orange -- I got a bright, happy ink color for company!

I received Diamine Orange from the first batch of ink samples that Phil Davies sent to me. I didn't like it at first because it's too bright. Then again I realized, what orange ink won't be bright? Point taken, I found a use for it: underscoring my notes and lesson modules. I began filling my wide-nibbed pens with it and Diamine Orange became one of my two favorite ink colors for underscoring.

Diamine Orange is a bright, brilliant, vibrant ink. It is very saturated, like all Diamine inks, but has excellent, smooth flow. Despite its high level of saturation, feathering and bleeding occurs only on a few types of paper (but note that feathering and bleeding are affected by a number of factors). This Diamine ink is very bright orange while wet, but becomes just as bright when it dries.

Named after the ripe orange fruit, orange is a color between yellow and red in the visible spectrum. After several comparisons, Diamine Orange looked to be having just the right amounts of yellow and red, making it an almost-perfect orange color.

True enough, this ink reminds me of ripe oranges, tiny juicy clementines, fragrant satsumas, freshly squeezed OJ, and cold orange marmalade on top of hot, buttered buns.

I tried very hard to capture this ink inside the plastic 30ml bottle. These tall, rectagular plastic bottles are spill-proof because of a simple mechanism inside the cap. I carried Diamine Syrah in a similar bottle in my bag for a day and though it got jostled and tumbled, the ink did not spill at all.

I also noticed that this ink clings to the inside of the plastic bottle, unlike Woodland Green and Majestic Blue that just runs off. The lovely amber-like, orange liquid is just lovely.

In the photo below, the ink looks almost like a fragrant, sweet syrup waiting to be tasted.

Below is Diamine Orange on Kokuyo graph paper. I love Kokuyo paper and use it specifically for my Diamine ink reviews (here and here) because it is resistant to feathering and bleed. For this review, I used a Manuscript 1.5 crisp italic pen for calligraphy and my cadmium yellow Sheaffer No Nonsense with medium nib for regular writing.

When I did the shoot for this review, I needed to pull down the shades in the room to underexpose the following photos. I had to do that to capture the ink color properly. When shot under normal or bright light, this orange ink glows!

I wrote the quote using a 1.5 crisp italic nib, and though I noticed some very faint shading in the end strokes, I cannot say that Diamine Orange has shading.

And it is just the same in my alphabet set. There is very faint shading in the beginning and end strokes of the letters.

But with or without shading, isn't this the most vibrant, happy orange ink in the world? Here is Diamine Orange from my cadmium yellow Sheaffer No Nonsense with a regular round medium nib. This is a very saturated ink, but flows surprisingly smooth on the pens I used for this review. It also dries fast on Kokuyo paper.

Aside from Herbin's Diabolo Menthe, Diamine Orange is only the other ink I use for underscoring. It's such a joy to see my notes and module pages come alive with the different ink colors I use for underscoring and highlighting, though I mostly use my Pelikan M205 ink for highlighting.

I only have two orange fountain pen inks aside from Diamine Orange, and they are J. Herbin Orange Indien and Caran d'Ache Saffron, all happy colors! Orange Indien has more yellow and I use it to color some of my drawings. Caran d'Ache, on the other hand, has more red, and sometimes I use it to write entries on my diary.

Diamine Orange has just the right combination of yellow and red that makes it a bright, happy orange. On a page of white paper, the color just pops out! Aside from underscoring, I also use Diamine Orange to write headings on my notes and comments on my modules. If I need to write something for emphasis, I'll grab a pen with Diamine Orange!

And just because I got a Zebra Sarasa and Pilot Frixion gel pens with orange ink, I included them here too.

Among the Diamine inks I have reviewed, this is the fastest to dry. Both Woodland Green and Majestic Blue took around 26-28 seconds to dry on Kokuyo paper. Diamine Orange took only 13 minutes to dry, which is just half the time it took for either of the two inks to dry.

I like write-testing an ink on different papers. Doing so makes me see how the ink behaves on different masses of pulp.

Up close, here is Diamine Orange on Kokuyo paper.

There is slight feathering here but the ink did not bleed at all.

On Venzi paper. I'm happy to see how beautiful and neat the letters are. There is no feathering, and definitely no bleed! (Must get more of this notebooks.)

Lastly, here it is on Whitelines paper. It's my first time to use Whitelines paper and though there wasn't any feathering, I noticed that the ink bled.

I don't have favorite ink colors, and as I am drawn to brown, and dark shades of blue and red, I also gravitate towards bright, vibrant colors because they brighten my notebook pages. Diamine Orange is a bright, happy ink that I enjoy a lot and brings a smile to my face every time I use it. It makes reviewing fun for me! And though its brightness prevents me from using it for regular writing, I will always find ways to use it.

Founded in London, Diamine has been manufacturing inks since 1864. Diamine is one of the largest producers of a large range of fountain pen inks as well as the famous Registrar's Ink for permanent records. Diamine fountain pen inks are available from the Diamine site or from the Writing Desk in the UK. In the US, they are available from the Goulet Pen Company or the Pear Tree Pen Company. (I have no affiliation with any of these companies.)