Ink Review: J. Herbin 1670 Ink

Red was your colour.
If not red, then white. But red
Was what you wrapped around you.
Blood-red. Was it blood?
Was it red-ochre, for warming the dead?
Haematite to make immortal
The precious heirloom bones, the family bones.

- Ted Hughes, 'Red'

Karen Doherty, Exaclair's Marketing VP, surprised me with a box last September. It was completely unexpected, and I jumped like a little kid when I saw the 1670 Anniversary ink, a large Rhodia dotPad, and an anise green blank Habana inside the box all swathed in seemingly endless piece of bubble wrap. I felt very lucky to receive a bottle of this ink because it is a limited edition ink, released early this year to specifically commemorate J. Herbin's 340th founding anniversary.

The J. Herbin Anniversary ink is named 1670 after the year the company was founded. It is also called Rouge Hematite for its color, taken after the mineral hematite (blood ore), which is also the Greek word for blood.

I like the unique design and packaging of this ink. Unlike the other J. Herbin inks, the 1670 Anniversary ink arrived in a new bottle inside a new box. The 1670 comes in square 50ml bottles, with 1670 simply embossed on gold wax to tell its name.

The 1670 Anniversary ink's clear square bottle reminds me a lot of Caran d'Ache ink bottles, but the gold string on the bottle's neck caught under the gold sealing wax (which Stephanie of Biffybeans blog wrote as glue gun wax) adds a touch of elegance into its simplicity.

The gold wax on the bottle, according to the J. Herbin website, is "reminiscent of the wax used for the 'grand cru' wines of France," and all gold wax seals on all 1670 ink bottles are handmade. PaperAndCo.com has a video of this process and it's amusing to see how it's being done: the person assigned to this task puts the gold string on the bottle's neck, pumps the glue gun wax onto the gold string and the bottle, stamps the 1670 on the glue gun wax, cuts the gold string to desired length, and does the whole process again. Cool!

The red wax on the ink bottle's cap is made of official wax cherry, and strongly reminds me of the wax used in cheeses, especially the big queso de bola (Edam cheese) we see in supermarkets around Christmas time here, and get either as gifts from friends or as part of our Christmas grocery package. According to the inital set of reviews, the red wax used for the earlier batch of inks was brittle and crumbled easily, but I received a newer version with a more flexible wax. But all the same, I am very careful when I cap and uncap the bottle. I don't want to destroy the beauty of this ink yet. 

This ink's bottle cap is made of aluminum, and I wished they used the usual hard plastic caps. Then again, wax may not stick to the plastic very well, and so they decided to use aluminum.

The 1670's box is another J. Herbin work of wonder. It has been carefully designed to represent the life of J. Herbin, who was a sailor. The ship, anchor and palm tree represent navigation and discovery; while the crown is a reference to the red sealing wax color used in the royal courts of Europe.

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Rouge Hematite is a unique ink color in the red/orange/brown range, which is my favorite. It has an intense, vibrant, earthy and blood-red color that is reminiscent of the historical J. Herbin logo and the sealing wax used in the royal courts of previous eras.
 
The 1670 ink has the same qualities of J. Herbin inks I have tried in the past. It has smooth flow, good lubrication, shading and of course, excellent color. However, it is very, very saturated compared to other J. Herbin inks.

For a larger photo click here.

I used a Rotring ArtPen with 1.5 italic nib for the calligraphy, and my white Schneider Base with a firm medium nib for my written review. The grid notebook is from Saizen, which took the inking very well. There is no feathering and bleed for both of the pens I used. Notice the difference in color and shading for the two pens.

The poem I wrote using the 1.5 italic nib looks a brighter red, with more evident orange hues.

The text I wrote using the medium nib looks a darker red, though.

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And now here are some macro shots. I hope the images below captured the gold in the letters I wrote, especially where more ink was placed on paper.  

Below is the 1670 ink in comparison with other red inks: Diamine Poppy Red (dries a bright red), Camel Scarlet Red (dries a pinkish red), Parker Super Quink Red (dries a pale red), J. Herbin Rouge Opera (not a true red, but dries a beautiful rose red), and Diamine Oxblood (a dark, dark blood-red color). The 1670 ink is the stand-out color in the group, its reddish somewhat brownish-earthy-golden color is a winner!

I mentioned earlier that the 1670 ink is a highly saturated ink. This may be a problem among left-hand writers because this property makes it such a slow-drying ink. I used the Base pen on Rhodia paper for this test, and though several factors may have contributed to drying time, the 1670 is undeniably a slow-drying ink to be 'almost dry' at 1 minute 30 seconds.

I tried writing with the 1670 ink on different papers from several notebooks I got. Below are several pictures of them.

I am so in love with this ink I have been using it on three different pens since I got it. I love the color, shading and the tiny gold flecks I see when I look closely at the dried ink on paper. But this is a limited edition ink, said to be produced only this year, and I hope that J. Herbin will include this ink into their regular production.

Aside from the 1670 Anniversary ink, J. Herbin also offers 30 more inks in beautiful colors. These water-based inks are non-toxic, have neutral pH and manufactured using natural dyes. Dowload a printable PDF of the J. Herbin fountain pen ink swatches here.

A 50ml bottle of the 1670 Anniversary ink sells for US$20 at the Goulet Pen Company, and will soon be available at Scribe Writing Essentials here in the Philippines. (I have no affiliation with either companies, though.)

The 1670 Anniversary ink used in this review is courtesy of Exaclair, Inc. through Karen Doherty, as well as the Rhodia pad. Daycraft notebook courtesy of Foreal Lee of Daycraft, and Reecovid notepad courtesy of Ingrid Savill of Reecovid. The Pukka notebook and two pens used in this review all belong to my personal collection.

Quo Vadis Habana Notebook: A Review

Here is the Quo Vadis Habana notebook from the kind people at Exaclair, Inc.

Those close to me know how much I love pens and notebooks. I always have a lot of both – in my backpack, on my office table, on my work table at home; even my closet has pens and notebooks inside! I think most of my backpack’s weight is not because of my laptop and its accessories but because it’s always full of pens and notebooks. And like most notebook enthusiasts, I currently have a number of notebooks in use – and four are in my bag. One of them is a black 6”×9” Quo Vadis Habana notebook.

The Quo Vadis Habana notebook.

Karen Doherty of Exaclair, Inc. has kindly sent me a large Quo Vadis Habana notebook in September. I kept my Quo Vadis Habana in its plastic wrap until I was ready to write the review because I was scared of any damage or dirt getting in the notebook. The first thing I did when I took out the plastic wrap was to smell the Habana's paper. Oh, yes I did that! I always do that to my notebooks, especially the newly opened ones. I do that because I love the smell of new paper, and partly because I also want to assess its quality. And yes, nothing beats the sweet smell of clean, new, non-acidic paper!

The Habana's bright white pages stay flat when the notebook is open.

The Quo Vadis Habana’s cover is made of black leatherette that gives it a subtle elegance. Wrapped in this leatherette is a thick but flexible board. I’m sure one can easily bend the covers, but I won’t risk doing that to my notebook. As I ran my fingers on the Habana’s front and back covers, it felt soft and smooth. The pressed QV logo on the front’s lower right corner and at the back signifies quality to me. My work background tells me these logos come from high quality leather pressing/embossing.

Elegant pressed QV logos on the Habana's front and back covers.

Inside the Quo Vadis Habana notebook are 80 sheets of acid- and chlorine-free, bright white, premium 90g Clairefontaine paper. Think of all that paper goodness! I am so amazed with the brilliant white pages and their smoothness. The lines are widely-spaced, and this is good news for me because of my fondness for wide strokes when writing. The notebook’s pages have round corners, and for me, this is a thoughtful gesture from QV for their notebooks’ users because sharp page corners not only tend to curl up, they can also cut into people’s palms.

Round page corners on the Habana's pages.

The Quo Vadis Habana notebook’s binding is another plus for this notebook, because it allows the pages to stay flat on their own while the notebook is open. This is shown in the photo above of the open notebook.

Notebook abuse? Nah. It was only a test that the Habana gracefully passed.

Finally, we come to the best part: the writing samples!

Because all the reviews raved on the Quo Vadis Habana’s ability to hold fountain pen inks, I tried all my wet nibs on it. I wrote with all my italic/calligraphy pens, some o f my medium nibs and two of my wet fines. The results? Amazing!

I started write-testing the Quo Vadis Habana notebook using my italic nibs. Then I used three Parkers inked with highly saturated inks: Private Reserve Copper Burst and Avacado. Lastly, I wrote with my other inked pens, starting with my Retro 51, which is a wet medium inked with a wet ink: Waterman South Sea Blue. I tested my other mediums, the Parker Rialto and all three Schneider Base pens, the first filled with CdA Saffron and the others with either J. Herbin Bleu Pervenche or Rouge Opera. I also tried the bold Pilot 78G and two plastic pens I got from Daiso, both with scratchy nibs but gives out very wet ink flow. All writing samples looked beautifully, all ink samples dried fast, and because of the Habana’s white paper, the colors all looked so bright! My momentary surprise was cut short when I remembered I had to check the Habana for two more things: feathering and bleed. There is absolutely no feathering on the Habana from all the pens and ink colors I used. Hurray! Bleed? It’s almost as if I held my breath as I turned the page over so I could check for bleed. And… voila! Absolutely, definitely, certainly no bleed at all! Hurray! This means I can forever use a fountain pen to write on my Habana notebook, right?

Pen and ink combinations

Schneider Creativ 1.5mm italic nib and PR Avacado; Lamy Joy 1.5mm nib and CdA Saffron.

Lamy Vista (1.9mm) with Bleu Pervenche, Lamy Safari (1.1mm) with Rouge Opera and Lamy Joy (1.5mm) with CdA Saffron.

3 Parkers: Parker 25 (M) and Parker Jotter (M) with PR Copper Burst, and Parker Vector (wet F) with PR Avacado.

The rest of all the pens and inks I tested on the Habana.

But, wait! I’m surely happy and excited to use the Quo Vadis Habana notebook for journaling, but there are two things I hope the people behind QV will consider: the elastic closure and the page marker ribbon.

The elastic closure for me seems too narrow for this notebook size. Some users may like thinner bands such as the one on the large Quo Vadis Habana notebook, but I would have liked mine to be a little wider. Perhaps this size is good for smaller notebooks, but for a 6”×9” leather-covered journal, it looks a bit awkward for me.

I feel the same for the Quo Vadis Habana notebook’s page marker ribbon: it is too narrow/thin, and too short for the 9” page size. The ribbon is a bit short for me that I cannot tie its end to prevent fraying or I will shorten it even more. But that’s just me, and that doesn’t mean I love the Habana less. :)

The Habana's page marker ribbon which I feel is too thin and narrow. Again, that's just me! :)

The Quo Vadis Habana is a great notebook, and probably the best I’ve ever tried. It’s already friends with my fountain pens, has excellent paper, looks great, what more could I ask for? (Just a wider elastic band and longer page marker ribbon. LOL!) Perhaps a notebook for each available color? Or one of each size? The Habana is available in four colors: black, which is the one being reviewed here; blue, red, and taupe; and in two sizes: large (6"×9", with 80 sheets of 90g paper), and pocket (4"×6", with 96 sheets of 64g paper). Hmmm... Lots of notebooks to choose from! More information about Quo Vadis Habana notebooks is available at the QV site.

Lastly, I’d like to give Mr. Pythagoras a bit of a show-off here.